we call it hard ltd vol.2 with more pounding techno

after his cosmic gate e.p. (knotweed 004), gonzalo comes back with four new tracks. here he develops further his very unique style of techno, blending deep, dubby and spacey chords together with a fierce sub-bass heavy dark background pounding beat for maximum efficiency.

pounding dark techno / incl inigio kennedy rmx

part 2 concludes killawatts largest body of music to date, the opposing rhetoric ep, a 6 track opus of truly progressive uk underground sound that melds his influences from dubstep and techno with expansive, high-tension sound design. the eps second triplet of beats feature his most overtly techno-focussed sounds yet, expanding his horizons and dropping the pace down to 125bpm, and delivers punishing dancefloor rigidity and bass-immersed sonic force. on black air, killawatt threads tightly coiled syncopations above a grinding 4×4 structure, and delivers a near-cacophonic but ultimately heavy full-sensory overload. the flipside is divided between the churning swell of dark industrial aesthetics on art of discourse, and the moody permutations of reactive technique, where rippling melodic shimmers provide accentuation to its pounding sub-density.

already played by dave clarke on his white noise radio show and hammered by hawtin at space opening. acid!!!(no words necessary...) super heavy pounding energetic 303 techno in clemens very own trademark dirty bass-heavy sound. this is the real pure acid shit - combining the raw power of mid 1990 s techno with the sound of now. as always on neufeld records: the vinyl 12inch contains a mix that you will only find here and will never be released digitally.

the flatlife deep debut of liverpool-based artist binny, including remixes by oliver lieb & tim gaal. the oliver lieb remix of release is a pounding tech-house track based on the two major themes of the original and treated with the typical oliver lieb signature sound - peak-time material! the original version is a soulful and uptempo broken-beat detroit techno track. the journey once again takes you back to the motor city: a lush sounding pad sound is accompanied by a shuffled and funky rhythm track. the tim gaal remix slows it down and incorporates a retroish deep house feel. flatlife deep is run by jack wax (flatlife records) in cooperation with tim gaal (adepth audio), focusing on warm-sounding analogue techno music.

will & ink, a new label and production duo for felix lenferink (aka frits wentink) and presk. showing their male side with some raw and pounding sounds that is brought to life through custom built hardware. will & ink step away from their solo productios and goes into techno realms! starting the action with this amazing three track fermat ep.

the a side opens with redence delusions introduced by a delay metallic notes, and a line grating background that give entry to a hard nut to crack hype joining the above sequence to form the groove. the delays become more important as the track progresses, and more incisive percussion, dance inducing wilder. the second track on this side sagae has been granted to tomohiko sagae, the japanese producer emerges on the scene to give it a fresh industrial sounds dark dye forcefully included. catalog is part of the prestigious british label rodz-konez, in addition to works published in huehelix and atrocity. we present a cut with a pounding bass drum rhythmic against a distorted sequence taken from a radar air booming steel industry, and dark piercing screams that increase the intensity of its entirety through the plug-in more severe. a full-blown rebellion industrial sounds with those harmonics so peculiar that offers japanese school.

eargasmic brings this stunning split 12 inch with real raw house! on the a-side chicago skyway brings two heart pounding tracks with i dont give a f*ck and run coward. the flipside introduces isoke to the game with the relief sounding, chicago rough sh*t and the heady bass heavy joint haunted.

ltd 180gr vinyl repress
after their hot contributions for treats vol. 2, session victim prove indeed that they are on the roll with a funkafied and no holds barred ep that pays homage to their hip-hop roots. move me so starts rather simply, with just a guitar and a vocal, but you can hear a moving bassline and distant rhodes chords creeping up from the background. two minutes into the track and theres still no kick drum, although the level of excitement produced by the magnetic groove is almost unbearable. a filtered drum break finally gives way to a four to the floor beat that should turn any dancefloor into a frenetic party. the track builds with high energy, as the pounding bassline seems to be directly lifted from an early 90s hip-hop classic. the breakdown sees the vocal/guitar loop being played differently until the second part shifts gear and brings more surprises in the mix with the intro rhodes chords coming in and out.

on the a-side, the delectable solk clearly proves that the exact midway point between mostar and malmo is in fact chicago. meanwhile, inter gritty takes you back to mid 90s stockholm with a viciously pounding remix. the closing track loksyra is quite simply the perfect marriage between onions, knives and a 303.

the second tape in the series, ferro #01 continues the path through the abyss of dubbed out techno sounds: ever forward with off-kilter resonations from the echo chamber and a pounding heart-beat throughout. like #00, this one is again a tape-only-release. each cassette is a unique piece of art – stamped, numbered and equipped with a link to the digital files. but ther is no way to get these files without grabbing a tape!

the 4th and final sampler taken from swedish silver vol 2. patrick siech then steps up with the next track, kill room that also uses atmospheric percussion and stabs to build into a funky drum groove. the final track by cari lekebusch called xylopeggiator, conveys a dark, pounding 5 am rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern

remastered reissue featuring three fantastic hard-to-find classic rump shakers from hamilton bohannon. bohannon was one of the key forces in disco in the seventies and this is him at his best - his instantly recognisable sound is pure uncut boogie mixing riffing guitars, bad-ass funky bass and pounding drum tracks. first up is the super-rare long 12 inch version of me & the gang a superbly funky track popular with everyone from tony humphries to carl craig with its great chunky beats & a killer piano groove later sampled by paul johnson for his hit get get down, followed by the groove i feel - a monstrously good floor-filling gem unearthed from his 76 album dance your ass off. on the flip you get the awesome full 12:45 minute version of maybe you can dance another slamming disco-funk stomper only ever available as an elusive 1977 12 inch promo. quality stuff!

nearly 10 years on from it’s last release, phantom audio relaunches on march 11th 2013¬†and what better way to start than to go back to the very beginning! ¬†originally released on dec 6th 1999, phantom force went on to become one of the legendary dnb anthems, still being heard in sets today. fracture tears it apart and takes it right into 2013 with a mammoth half-stepping groove, led by those familiar pounding stabs, nervous strings and teasing break edits. digital & spirit go to work on backlash themselves, harking back to an era where the beats where dirty and the mood was heavy for a trademark slice of sub-heavy organised breakbeat chaos.

nearly 10 years on from it’s last release, phantom audio relaunches on march 11th 2013¬†and what better way to start than to go back to the very beginning! ¬†originally released on dec 6th 1999, phantom force went on to become one of the legendary dnb anthems, still being heard in sets today. fracture tears it apart and takes it right into 2013 with a mammoth half-stepping groove, led by those familiar pounding stabs, nervous strings and teasing break edits. digital & spirit go to work on backlash themselves, harking back to an era where the beats where dirty and the mood was heavy for a trademark slice of sub-heavy organised breakbeat chaos

for telrae 010 stefan gubatz teamed up with van bonn. the a side track marathon reflects on the more up-tempo beat tracks on telrae. it starts where stefans transistor ended, keeps a tight beat but its crunchy chords erupt like lava in a bowl of milk. the flipside track burnout works with a heavy pounding bassline but is defined by a rather airy, ambient like soundscape with many modulations and a broken tricky beat..

from noel jacksons hypertone label. this 12 inch from london young gun producer starts with a pounding bassline, eerie vocals and shuffling hats. the anthea 4 luv remix follows with a solid groove. on the flip, sats delivers a unique dark mutating synth & a killer bassline that also receives a remix from randall m.
limited to 250 copies and no repress

reverence paying homage to the beloved underground, a prime collective of neo-electronic architects spawn a quintessential four track vanguard. the greatest by drivetrain (detroit, usa) begins gritty and minimal, blossoming into a spectral orchestration of refined vocal samples fused with melodic pads and acid bleeps. the heavy bass line and pounding rhythm keep it moving mercilessly. cloudmaster weed (meaux, fra) utilizes the vocal stylings of goddess stephanie on the raw and sultry >sweet & delicious<. the seductive groove lays the perfect groundwork for a goddess to dream on some of her favorite pleasures. rennie foster (vancouver, can) makes a strong return to soiree with the prolific, deep-tech, > low boxing<. a clever amalgamation of silky vocal samples dropping amidst heavy syncopated acid. lush pads provide the final polishing. j.garcias (detroit, usa) >lost< serves a commanding conclusion. the throbbing rhythm drives alluring female vocal samples thru an infectious late night sizzler. reverence – an absolute and authoritative tribute

adam beyers original track starts with a heavy bass line that is a sure-fire, grooved out killer. the infectious vocal hook and melody line supplies the extra force to make this track one of the strongest releases on truesoul to this date. nic fanciullis take on take me away uses a rhythmic melodic synth-line before bringing in the vocal to maximum effect. alans darker approach gives this release an extra dimension, using deep-pounding toms to create a cool, stripped back vibe with warm stabs and hats to match.

after alec troniqs glorious 2012 strikes like pimpernuckel and rueffel ep and prosperous remixes for leesa or kanzler & wischnewski, he roughs up the club season with yet another super-creative bunch of dance floor tracks. with fluffernutter our pastry chef created a scuzzy mix of sweeties.and everyone can sing is a slow and muddy pounding house smacker.xanthippe is a cheering singsong tune for a little less conversation but a little more action on the parquets. this fluffernutter ep unmistakably pushes to movement.

after releases on rekids, claap, octopus and his recent remix of gunnar stillers closer (cyh 21), nikola is putting out his first ep on clap your hands. with his custom beats ep nikola shows us ones again his distinctive pounding groove and love for destroyingdancefloor- weapons.

detroit veteran len bartush (mutate) returns to advance the series that began with the now classic circle 1. a full round kick and jack style upbeats are all that is necessary to support the deep, modulated synth lines that travel through lush plates of reverb. alberto pascual hits a homerun with his remix that will move any club, festival, or warehouse party. project 313s remix supplies moving synth lines are stripped down and replaced with driving rhythms and pulsating bass making this a superb techno offering. the plankton remix turns up the tension with warehouse style percussion and intertwining rhythms complimented by science- fictionesque stabs and pounding bass. the >circle 2< ep is an essential piece of detroit minimalism.

the return of ben sims with a killer double header of pounding grooves...

having surfaced with a few potted releases in the mid-nineties, my love is underground have taken it upon themselves to call upon las teflon dons to reissue three punchy lessons in that currently most mined of house music eras. theres no arguing with the authenticity of a track like planet eater, as the subby bass and pounding drums take the lead with just subtle dabs of noise and samples chilling in the background. sun fist rising has a more rounded atmosphere, leaning on layers of keys and a classic garage shuffle for a sweet and soulful end result, while psycho ray gets on a darker tip with creepy vocal samples and moody organ bass

a.paul strikes again with the release of his mighty the sign of times album. dark industrial techno as he is known for. pounding beats, that keep on building to the ultimate dancefloor. this will set your dancefloor on fire within minutes. a must have for all serious techno djs.

a.paul strikes again with the second release of his mighty the sign of times album. dark industrial techno as he is known for. pounding beats,that keep on building to the ultimate dancefloor. this will set your dancefloor on fire within minutes. a must have for all serious techno djs.

blank code presents bcr002 - beta ep from the plant worker (also known as a. trebor), released on 12 inch vinyl with custom made silk screened jackets and available with an additional track found exclusively on the digital release. beta 01 represents merciless techno, with a pounding kick and unexpected drops that leave the listener gasping for breath. the luis flores remix introduces a subtle swing, making it more danceable than the original while still retaining the ominous tones imbued in the track by the plant worker. beta 02 stumbles in with anxious acid synths and urgent hi-hat patterns, slowly building to a massive climax. mysterious chimes wandering around the sonic space give a haunting feel to beta 03, the eery conclusion of the vinyl version of the release. the eps digital exclusive, beta 04, returns the listener to the original themes of beta 01 – open, reverberating bass accented by the sounds of echoing metallic decay.

with the >closer ep< by gunnar stiller were welcome a new member to our family. gunnars first clap your hands record takes us directly to the dance floor and whet the appetite for long club nights. the 2 original tracks come with a nikola gala remix on top and nikola shows us once again, who has the most pounding groove in business!

summer madness ep is the joint venture by berlin based artists mri, der dritte raum and basti grub. three tracks to feel the sun shining in your face and grooves rolling through your hips. pounding and hissing like a steam engine, summer madness gains momentum out of the city and into the country.

the first release from swedens random island recordings offers three tracks of pure-bred techno from label owner inter gritty. nihad tule provides a stunning remix that turns the raw, chicago-esque pounding of kiska into a dramatic, flowing techno builder. and finally, huemul drops the pace and sets off to explore the deeper side of techno, drenched in drones, chords and deep bass.

bobby champs stormed in the scene with his debut moonlight earlier this year, universally praised by publications like ra (4/5), mixmagand dj mag. follow up ep drag queen shows a development, a more mature but still raw sound explores berlins midnight and londons 3am. title track drag queen is quite unlike anything else, a weird track, an enigma, a four four kick provides some sanctity to the listener whilst scratching synth work and unusual textures bemuse and delight in equal measure. latte brings us back to more familiar club territory, filtering works effortlessly behind the kicks, the synths reference piano house. charlie is a menacing beast with swagger, beautifully produced arrays of clicks massage the cerebellum whilst the pounding drums kick you in the chest.

mental reaction ep is an original scan 7 release on detroit underground of classic detroit warehouse techno and electro via two new tracks and a remix. after many years of collaborative work we are wildly ectatic to present – finally! – scan 7, fabled anonymous masters of stealth, activism and classic detroit techno. mental reaction and noise tension are two new ‘zenith’ recordings shifting the order of things to reveal dark energy amid consistent, intense forms of brightness. punctuating the diptych is a ground pounding, break-oriented remix of mental reaction by dus annie hall. state of the art graphic futurism by dmas3 makes strange any sense of normality cutting new forms for productive living in an ever-expanding universe. mental reaction is the antidote to austerity via classic detroit warehouse techno. a new throbbing, syncopated scan 7 classic detroit rhythm hails us, freeing up accumulated, pent-up anger having to cope day-after-day witnessing cowardly, hypocritical elites avoiding culpability for wrongdoing in the world. warm, rhythmic frequency distributions align logical and ethical sensibilities hypnotically. mental reaction is a new scan 7 legend to reveal dance-activist pathways to higher ground in the face of adversity.

it has been out of stock for quit some time now, even though it is considered a classic album within the viking/pagan metal genre. so we decided to re-release this classic album full of mighty pagan hymns! this release differs from the original, because we added all lyrics and we re-mastered the sound. for all of those who do not have this album a nice opportunity to buy the roughest and first album of thyrfing and to enjoy songs such as >raven eyes<, >set sail to plunder< or the classic >going berserk<. the album contains ten bombastic yet catchy viking metal tunes that are filled with nice keyboard melodies, berserker vocals and pounding guitar riffs.

vase returns with musical prodigy koreless releasing his long awaited single lost in tokyo alongside a dancefloor readied remix from label boss jacques greene. lost in tokyo garnered hype after being featured in jamie xxs bbc radio 1 essential mix last year and soon became a crowd pleaser in the young producers infamous live shows. featuring his trademark formula of stripped back production, lush atmospherics and hypnotic vocal chops. warm synth pads glow as the signature vocal pitches dramatically build to a beautiful crescendo. on the flip man of the moment jacques greene flips the track into dancefloor territory with pounding drums and incredible energy. dj support comes from annie mac, mary anne hobbs, gilles peterson and benji b

a.paul strikes again with the release of his mighty the sign of times album. dark industrial techno as he is known for.pounding beats,that keep on building to the ultimate dancefloor.this will set your dancefloor on fire within minutes.a must have for all serious techno djs.

no disputing the raw power of this one! juju & jordash return to golf channel with a bang a pounding italo/ebm influenced club epic in three distinct flavours - serious business!

kool hertz started djing and rocking crowds over 14 years ago in south africa & the uk. the last few years he has turned his hand to production in a big way. after a string of release, across various labels in the scene, we finally welcome his first ghetto funk ep.
loads of attitude, big bottom end and his signature pounding beats. this ep has a true heavy weight feel, it sits and the ghetto end of the spectrum.

raw and pounding techno from joseph mcgeechan aka 1/2 of bcr boys. remixes delivered by k209 and ancient methods.

chris liberator & sterling moss return to hive for two slices of dark, brooding and heart pounding acid techno

more dark and menacing techno/electro stuff from the netherlands, eerie hard-pounding industrial machine music, brain carpaccio guaranteed, on limited blue vinyl!

jason little teams up with the mighty svetec for this beast of an ep on the infamous jasons mask imprint. pounding hardtechno is what you want and you will get it! featuring remixes by sandy warez and instigator. not to be missed!

kenneth christiansen & dennis bøg presents pattern repeat part 6. this time pattern repeat gets a little more harder and darker on pr00/6. the a side is a moody dark track with deep hypnotic almost nightmare kind of groove, with a old school kind of atmosphere. the b side gets hard straight from the beginning of the track with a pounding almost industrial kick drum, that builds from a minimal groove that really will kill the pa system in the club. pattern repeat has stepped up, and shows the harder and deeper side of the copenhagen techno scene

the third and last format:b vinyl-package is adjusted! subject matter still is the current album restless which has been taken on by big name artists of the international surroundings of the two. in pole position a1 this time is the italian uto karem. he took a shot at piano man and hits the keys just like we are used to from format:b. with his version of socks & sandals the dutch dj madskillz comes around the corner. its his second pounding release on formatik records after his carnival chaos ep. a debut however is given by the also italian artist fernando tessis who keep his eyes upon warped and who went into the remix battle with trumpets and timpani giving no less attention to his demonstration of his garland of corn on b2.

after a long silence iron curtis returns with his magic. thoughts on is the producer’s debut single for 4lux. proper house and disco tracks! the original mix of thoughts on is a banging deep house joint with haunting melodies and cut up vocals. the 2012 version provides for a more jumping bassline and hard hitting straight forward beats. iron curtis goes mental on oh come on with his cut up and vibe-heavy jazz samples and heavy pounding 808 beats. relentless! on interlude in the park the lights are dimmed and the tempo drops. a slow disco burner for those who love slow jams.

after the warmly received part one of golden age thinking it is now time for part 2. this one is all about a banging club track on the a side theme a relentless pounding groove and 2 deeper cuts the chugging flatlining and the tranquil these feelings on the flip. we dont believe too much in describing them to you further than this but we hope you will agree they are quite special.

i know u combines tribal rhythms, pounding bass, insistent synth stabs, some distressed dialogue and a insanely large crash in the most maniacal way imaginable for what has to be one of the most devastating and original tunes for a very long time. sparse and spacious but yet rhythmical and energetic, lxc manages the ultimate arrangement balancing act here. the intensity increases gradually as the track progresses, culminating in an all-out tribal war ! a modern day jungle masterpiece from one of the most under-estimated producers around. on the flip, senses finally unleashes a track that decimated the very first technicality all-nighter back in 2004. 8 years later and that power is still very much in evidence! everybody want go heaven. nobody want dead – taking influence from the 1990 film marked for death, senses builds a dense vibe here, thick with imminent danger. rolling drums soon give way to a energetic ride-heavy break and pounding sub-bass hits. drum rolls drop and mentasms screech before the storm begins to subside half way through. the respite is brief however and after a complete silence the track reassembles, beginning with some insane slow to fast mentasm pitching which continues as a dark, slick reece begins to build with mysterious atmospherics. the tension is cut by the return of the drums – rolling along at first, before the mentasms and subs hit hard again, signaling a percussive onslaught! jungle just got catapulted into 2012.

all nite ep is the young mancunian waltons second set on hyperdub, after his very well received walton ep debut for the label in 2011. title cut >all nite< kicks it off with warm plucked strings, diva moans and lazer-like synths stretched to the point of anticipation over cracking grime handclaps and bass drums, until the track drops into a blocky bass line playing hide and seek with low arpeggios that spiral in and out of the mix, over a giant pounding metallic kick drum before layering on the warmth again. the whole track plays with a fine balance between warm, disco-like lushness and exuberant roughness. >mallet< is driving and darker, building detuned, bell-like tones over a 4/4 beat accented by breaks and fills and gaps, dropping into a big bass line and syncopations that disrupt the beat and bring the drama. >kush< is different again, taking the pace down with low end, synth hip hop with glassy chords, running over woozy pitch shifting rhodes chords fed through a layer of crackly gauze.

this detroit born producer drops this single on his hypertone imprint with grinding percussion and detuned vocals wrapped in reverb. special case from culprit & souvenir delivers a hot & dirty vibe with slick pads & crackin drums. synths and pounding rhythms come through on the tripmastaz mix. pressed on white vinyl.